This unique and comprehensive study examines how music affects Shakespeare’s plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period’s theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.

Introduction PART ONE: MUSIC IN SHAKESPEARE'S TIME Musical Theory Music in Practice PART TWO: MUSIC IN SHAKESPEARE'S PLAYS Prelude Instrumental Music and Dance Song Musical Thematics: Twelfth Night and The Tempest Appendix Glossary of Musical Instruments Notes Select Bibliography Index

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