This new collection of essays, each one by a recognized expert, both brings Forster studies up to date and provides lively and innovative readings of every aspect of his wide-ranging career. It includes substantial chapters dedicated to his two major novels, Howards End and A Passage to India, and further chapters focus on A Room With a View and Maurice. Forster’s connections with the values of Bloomsbury and the lure of Greece and Italy in his work are assessed, as is his vexed relationship with Modernism. Other essays investigate his role as a literary critic, the status of his work within the genres of the novel and the short story, his treatment of sexuality and his attitude to and representation of women. This is the most comprehensive study of Forster’s work to be published for many years, providing an invaluable source of comment on and insight into his writings.

1. Forster’s life and life-writing Max Saunders 2. Bloomsbury and other values David Medalie 3. Forster and England Paul Peppis 4. Hellenism and the lure of Italy Ann Ardis 5. Forster and the short story Dominic Head 6. Forster and the novel Elizabeth Langland 7. Forsterian sexuality Christopher Lane 8. Forster and women Jane Goldman 9. A Room with a View Judith Herz 10. Howards End David Bradshaw 11. Maurice Howard Booth 12. A Passage to India Peter Childs 13. Forster and modernism Randall Stevenson 14. Forster as literary critic Gary Day 15. Filmed Forster Marcia Landy 16. Postcolonial Forster Peter Morey

David Bradshaw is Reader in English Literature at the University of Oxford, and Hawthornden Fellow and Tutor in English at Worcester College, Oxford.

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