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American Drama from the Colonial Period Through World War 1: A Critical History 요약정보 및 구매

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지은이 Gary A. Richardson
발행년도 1997-10-03
판수 1판
페이지 320
ISBN 9780805716184
도서상태 구매가능
판매가격 27,000원
포인트 0점
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  • American Drama from the Colonial Period Through World War 1: A Critical History
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  • Critical History of American Drama Series Series Editor, Jordan Miller, University of Rhode Island Twaynes Critical History of American Drama Series provides authoritative, in-depth studies of the historical, technical, and literary development of American drama from its beginnings to the present. Drawing on established historical scholarship and incorporating current critical perspectives, this series represents the most comprehensive survey of the American theater. Each of the volumes in the series is devoted to a specific period, and provides: a detailed chronology listing production dates of significant plays, birth and death dates of major dramatists, and intellectual, cultural, and historical events of the period. original, accessible analyses of plays, playwrights, and literary and theatrical movements. convenient reference features: notes and references, an annotated bibliography, and an index. illustrations bringing theaters, playwrights, and productions to life. Though previously ignored as the nations literary stepchild, the countrys early drama emerges in American Drama From the Colonial Period Through World War I as a dynamic cultural institution in which the social, political, economic, and artistic issues of the moment found representation for diverse, often contentious audiences. Playwrights covered include: William Dunlap Robert Montgomery Bird John Augustus Stone George Aiken Dion Boucicault David Belasco William Dean Howells William Gillette Clyde Fitch Rachel Crothers A well-researched and well-written critical history of Americas developing drama....It is a good answer to critics who take American drama seriously only when ONeill arrives on the scene. The study is well set historically, and well-selected literary examples abound. Recommended for general and academic libraries at all levels. CHOICE Accessible Library Journal
  • Prologue 1. Colonial Drama Colonial Attitudes and the Beginnings of Theater in America The College Exercises and Dialogues Colonial Comedy Colonial Tragedy 2. Drama and the American Revolution Whig and Tory Dialogues Patriot Attacks Tory Defense and Patriot Demur 3. Initial Experiments in the New Republic Royal Tyler and Nationalistic Comedy William Dunlap: The Professional Dramatist in the New Republic James Nelson Barker: Republican Tragedy and Nationalistic Art 4. Tragedy and the Drama of High Culture John Howard Payne and the Emergence of Romantic Drama Robert Montgomery Bird: Romantic Drama in the Age of Jackson George Henry Boker: Romantic Tragedy's Quintessence 5. The Popular Drama Before the Civil War The Myth of the Frontier: The Noble Savages of Stone and Paulding The Heirs of Jonathan: The Stage Yankee High Society: Mowatt's "Fashion" The Slavery Plays of Aiken and Boucicault: Melodrama and Social Commentary 6. The World of Melodrama Fables of Melodramatic Intensity: Augustin Daly's New America The Master Melodramatist: Dion Boucicault at Home and Abroad Melodrama as National History Westward Ho! Manifest Destiny on the Melodramatic Stage Melodramatic Postscript: Eugene Walter's "The Easiest Way" 7. The Development of Realism Late-Nineteenth-Century Realist Dramatic Theory William Dean Howells: Radical in the Drawing Room Steele MacKaye and Bronson Howard: Realism of Character William Gillette: Presentational Realism and a New Hero James A. Herne: American Realism Comes of Age 8. The Age of Progressive Innocence, 1900-1916 "Bright Lights, Big City": The Urban Whirl of Mitchell and Fitch Progressivism on the Stage: Edward Sheldon's Social Plays Neo-Romanticism and the New Individualism: Thomas, MacKaye, and Moody Engendered Stage: Crothers, Glaspell, and the "New Woman" Question Chronology Notes and References Select Bibliography Index
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