Saints, Sinners, Saviors: Strong Black Women in African American Literature explores the idea of strength as a frequently contradictory and damaging trait for black women characters in major literary works of the 20th century. Looking at work by Hansberry, Morrison, Bambara, West, Gaines, Reed, and others, Trudier Harris shows how writers draw upon popular images of African American women in producing what they believe to be safe literary representations. She argues forcefully that the portrayal of women's character as strong is problematic in African American literature, and this pattern has become so pronounced that it has stifled the literature.

Preface Introduction: The Black Female Body: Seeing, Believing, and Perpetuating Popular and Literary Images A Raisin in the Sun: The Strong Black Women as Acceptable Tyrant Strength and the Battle Ground of Slavery I: Even Parody: Ishmael Reed and Mammy Barracuda Strength and the Battle Ground of Slavery II: Survival Beyond Survival: The Price of Strength in Beloved Commanding the Universe: I. More Than Witch: Bambara's Minnie Ransom II. Tough Enough to Kill, Tough Enough to Transcend Death: J. California Cooper's Clora Strength as Disease Bordering on Evil: Dorothy West's Cleo Judson The Stubbornness of Tradition: I. Do What Big Mama Sez: Ernest J. Gaines's A Lesson Before Dying II. New Territory, No Change: Pear; Cleage's Flyin' West Balance? Octavia E. Butler's Parable of the Sower Conclusion Can this Mold be Broken?

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