Alan Dessen focuses on the playtexts used for staging Shakespeare's plays, from almost three hundred productions of the last twenty five years. Dessen examines the process of rescripting--when directors make cuts to streamline the playscript, save running time, etc., and rewriting--when more extensive changes are made. He assesses what is lost and gained by rescripting, and the demands of presenting to contemporary audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest to theatrical professionals and historians.

1. 'Let it be hid': price tags, trade-offs, and economies; 2. Rescripting Shakespeare's contemporaries; 3. Adjustments and improvements; 4. Inserting an intermission-interval; 5. What's in an ending? Rescripting final scenes; 6. Rescripting stage directions and actions; 7. Compressing Henry VI; 8. The tamings of the shrews: rescripting the First Folio; 9. The editor as rescripter; 10. Conclusion: What's not here.

ALAN C. DESSEN is Peter G. Phialas Professor of English at the University of North Carolina, Chapel Hill

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