The first book in the field to explore the links between theories of globalization and surveillance, bipower and biopolitics, performance and theatre, computer arts and politics, "The Politics of New Media Theatre" is an investigation into the political role played by the new media theatre. Gabriella Giannachi explores how new media arts constitute themselves as a radical political movement, and presents an analysis of both the role of virtuality in radical performance and politics in virtual and mixed reality practices. This outstanding new work offers an analysis of leading political, philosophical and artistic texts and artworks, and represents a milestone for anyone interested in new technologies, theatre and politics.

List of illustrations Acknowledgments 1. Introduction 2. Gobal Performing globalisation Resistance : theatre as backtivism Electronic disturbance theater 3. City Globalising the city Knowbotic Researcb The spectacle of surveillance Blast theory 4. Body Scarring the post-buman body Stelarc Body parts Orlan The augmented body : Kevin Warwick and Steve Mann 5. Animals and plants The industry of nature Pharming: `animal` and plant performance Eduardo Kac The nature of Artificial Life Cbrista sommerer and Laurent mignonneau 6. Cell Patenting cell Semi-living art : Eduardo kac, marcel-li antunez roca, oron celluar practice of the critical art ensemble The cellular practice of the critical art ensemble 7. Conclusion Bibiography Index

University of Exeter, UK+Y234X206W208:X225W208:Y244W208:Y254X206W208:X225W208:Y256

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